JUST like the themes contained in the Rex Nettleford choreographed Blood Canticles, the National Dance Theatre Company’s (NDTC) morning of movement and music showcased the diverse paths of celebrating Christianity in Jamaica.

Staged at the Little Theatre in St Andrew, the calendar event attracted the customary full house and patrons were treated to a morning of uplifting performances from the NDTC’s singers and dancers.

For the 6:00 am start with the dramatic Alleluia with the cast in full black set to the singers’ To God be the Glory, the stage was set for the over two hours of song and dance.

The repertoire included solos Cry of the Spirit featuring an intense Alicia Glasgow and Freedom, dedicated to late stage manager Tony Locke and dramatically brought to life by the always-impressive Marisa Benain. Kevin Moore also entertained solo in Dear Jesus.

The toast of the duets must go to Tamara Noel and Keita-Marie Chamberlain whose interpretation of The Rope and The Cross was spot on despite challenges with the musical accompaniment. Not to left out was 1987’s Edna M brought to life by ballet mistress Kerry Ann Henry and dance captain Marlon Simms. For both these pieces, the dancers were coached by former principal dancer Melanie Graham, who herself had danced both during her tenure with the NDTC. Henry, Benain and Moore also delighted in His Song, Her Song.

The full strength of the company was brought out for

The Call, My Journey, His Mercy, Blood Canticles and the dramatic all-white finale of Psalm 150 set to Noel Dexter’s O Praise Ye the Lord.

Like the dancers, the NDTC singers drew on their wide body of work to present music which also represented the varying styles of Christian worship.

This year’s stellar performances renew faith that this national institution is indeed in good hands and should continue for years to come.

— Richard Johnson