Jamaican film-makers pioneer AI-driven cinema
... produce short film Madworld
In a bold demonstration of Jamaica’s innovative spirit and cultural creativity, local film-makers have created
Madworld, a revolutionary 20-minute short film that positions the island nation at the forefront of artificial intelligence (AI)-driven cinema.
The groundbreaking production marks several historic firsts in the film industry while celebrating Jamaica’s rich cultural heritage through cutting-edge technology.
Madworld represents a convergence of Jamaican creativity and advanced AI, utilising text-to-video (TTV) technology — the same innovative tool increasingly adopted by mainstream Hollywood productions for visual effects enhancement.
The film achieves multiple industry firsts:
• first TTV short film produced in the Caribbean
• first 3D CGI animated film featuring a Jamaican lead character
• first animated film worldwide with a reggae-driven soundtrack
Set in a futuristic steampunk dreamscape, Madworld unfolds within the mind of a dying, comatose Jamaican girl, where her father transforms into a steampunk Rasta superhero and music becomes her path home. The ultra-hyper-realistic production showcases the potential of AI technology when combined with authentic cultural storytelling.
“Jamaica has always been a country of cultural innovations that have helped illuminate the world with its creations,” said Lloyd “Reggaeology” Laing, who served as lead animator, scriptwriter, and creative director for the experimental project. “The elders used to say, ‘Yuh haffi tek you han an’ mek fashion.’ This film embodies that spirit of making something extraordinary from what we have.”
The project represents a powerful collaboration between US-based private equity firm IslandRock Entertainment, local 3D animation startup SYNANIM CGI, Jamaican hypermedia studio GOJO Media Works, and German-based Jamaican singer/songwriter Keith “Roughhouse” Powell, who composed the film’s reggae-driven soundtrack.
Created in just seven weeks, the production demonstrates the efficiency and creative potential of AI-assisted film-making.
The film’s initial reception has exceeded expectations, with overwhelmingly positive responses from private screenings and international trailer viewings.
“So far, the response from Madworld’s first two private screenings has been phenomenal, and the trailers have been well received by people all over the world,” Laing stated with evident pride.
The release of Madworld coincides with a significant moment in Jamaica’s film industry development. With the Government’s substantial investment of over $600 million in upcoming film projects and production rebates, the timing appears ideal for showcasing Jamaica’s capabilities in next-generation film-making technologies.
“To move in the right direction, you have to start walking, don’t wait for a drive,” Laing reflected on the project’s significance. “Walt Disney started with a mouse and ended up with Disneyland. Perry Henzell shot Jamaica’s most iconic film with little to nothing, and Bogle The Dancer said, ‘style under pressure’, so you have to start somewhere.”
Madworld is currently in private screening phase, with an online premiere scheduled for mid-August 2025.