Shavon Diamond (left) and veteran selector Tweeta Pow from Spanish Town-based sound system High Tension keeps the crowd at Mas Camp energised. (Photo: Joseph Wellington)

Entertainment, Music

Shereita Grizzle | Observer Staff Reporter

February 19, 2026

No clash, just culture

Sound system juggling resonates at Mas Camp

What unfolded during Sunday’s Sound System Jugglings Session at Mas Camp was something far more meaningful than any lyrical duel. There were no sonic knockouts, no victor declared when the final selector pulled the plug. Instead, a reverent, high-powered cultural showcase placed reggae music itself at centre stage.

From the first bass line to the final dub plate, the only true winner of the night was reggae itself.

The Reggae Month event, now in its third staging, redefined expectations of what a sound system gathering could be as eight of the island’s finest sound systems took turns on the controls, guiding the audience through Jamaica’s musical evolution.

As dub plates spun, the night became a shared memory bank of musical greatness pioneered by icons such as Bob Marley, Dennis Brown, Jimmy Cliff, and Sanchez.

Host Geefus of Stone Love introduced each sound system. One by one, High Tension, Sound Trooper, Wizard International, Red Heat, Presto Mix, King Jammys, Real Steel, and Road Star took their turn, each adding their own flavour while respecting the collective mission of the night.

The juggling evolved into a living timeline of Jamaica’s musical journey. Each selection felt intentional, as though the selectors were turning the pages of a history book written in bass lines and rhythms.

Roots anthems like Fade Away, Here I Come, and Promised Land rolled from the speakers, pulling the crowd into moments of reflection before smoothly giving way to cultural staples such as Sugar Minott’s
Herbman Hustlings. The atmosphere shifted effortlessly as ska selections sparked bursts of skanking near the front of the stage — a reminder of the genre’s joyful beginnings.

The tempo then transitioned to modern dancehall energy. Contemporary selections from Masicka, Bounty Killer, and newcomer Skippa kept the crowd fully engaged.

Lovers’ rock moments then softened the night beautifully, with timeless cuts from Beres Hammond, Alton Ellis, and Gregory Isaacs drawing couples closer and triggering sing-alongs.

Veteran selector Ricky Trooper paused to salute reggae music itself, describing it as one of the most powerful forms of music in life. Fellow selector DJ Patrick echoed that message, reminding patrons that understanding where the music is going requires acknowledging where it has been. He paid tribute to the pioneers who laid the foundation for reggae’s global reach.

Dubbing the night a success, Ricky Trooper told the Jamaica Observer he is looking forward to the event’s continued evolution. Pointing to its growth over three stagings, he is confident that with increased promotion, sound system juggling could become a fixture of Reggae Month.

“It was a 12 noon to 12 midnight event and people came and went, and I loved that. The juggling changed throughout the day, everybody was holding a vibe, enjoying themselves and even learning about the different genres of our music. All in all, it was a huge success,” he said.

Ricky Trooper also lauded Culture Minister Olivia Grange for her consistent support, noting that while the community may be small, its impact is undeniable.

“This is the third year an event like this is happening and it’s getting better. We’re not here for money — it’s love for the culture. Some sound systems came from far out in the country, and everybody came together to pull it off. One sound system even provided generators, stage, and lighting. That alone shows the strength of the community,” he continued.

DJ Junior K of Presto Mix added: “We appreciate being included on the calendar, and we always try to make it a success. This year, more people turned out, and that shows the event is growing.”