‘This was vibes… It’s love’
Trinidadian soca veteran Kerwin Du Bois salutes initial staging of Anthems
The inaugural staging of Anthems, a tribute to the golden era of soca music by the I Love Soca Jamaica team, made a strong debut on Easter Monday, setting the tone for Carnival in Jamaica 2026.
Held at the Mona Hockey Field in St Andrew, the event delivered a refreshing blend of nostalgia and high-energy performances, anchored by a standout set from Trinidadian artiste Kerwin Du Bois.
A veteran in the soca and calypso space, the Bacchanalist brought years of catalogue to the stage, immediately connecting with the mixed Caribbean audience. His throwback-rich performance leaned into the essence of the event’s concept, celebrating classic soca hits while reminding patrons of the power of the genre.
Speaking with the Jamaica Observer following his set, the artiste described the moment as both familiar and fulfilling.
“This was vibes. This was my era,” he said. “I’ve been coming to Jamaica for over 10 years, so it felt like I was home again.”
He also praised the event’s deliberate focus on classic soca, highlighting the importance of preserving the genre’s roots. According to the artiste, the inclusion of foundational records and recognition of soca’s evolution is critical not just in Trinidad and Tobago, but in Jamaica as well.
Du Bois noted that performing his older hits continues to be a rewarding experience, especially as audiences grow more connected to the music over time.
“It feels like the songs get better with age like fine wine,” he shared. “There’s substance in them, and I sing them with my soul. I enjoy doing it even more now.”
The response from the Mona Hockey Field crowd underscored his point, with patrons singing along, reinforcing the cross-Caribbean connection that continues to define soca’s reach.
“Jamaica and Trinidad is one,” Du Bois added. “We support Jamaican music, and Jamaica supports our music. It’s love.”
With strong attendance, high engagement, and a clear cultural direction, Anthems delivered a promising first staging, celebrating the present, while honouring the foundation of the sound.
— Sandena James