Stella Maris Dance Ensemble earns praise for latest season
KINGSTON, Jamaica — The Stella Maris Dance Ensemble has been praised for another successful season, with its latest production offering a diverse showcase of choreography and dance styles.
In a review of the matinee performance, Lennie Little-White described the experience as a fusion of movement and music, with dancers transforming the stage through a varied selection of performances.
Little-White also commended Artistic Director Dr Monika Lawrence for steering the ensemble for 30 years without State subsidy or generous benefactors.
Dr Monique Spence and Andre Hinds in Liza
Among the works highlighted was Black Currant, choreographed by Abelo Gonsalez, which blended Afro-Cuban rhythms. While the piece showed promise, Little-White noted that the opening performance needed further development to bring its different styles together.
In contrast, Liza, a remounted work by Lawrence which closed the programme, was described as a tribute to the colourful characters and folk traditions of the Jamaican countryside. Little-White praised the dancers’ evident enjoyment, which brought the production to life.
Jaida Oliver and Dainielle Doyle in Kindred choreographed by Patsy Ricketts
Kindred, choreographed by dance veteran Patsy Ricketts, was also singled out for its subtle composition and the natural fluidity of the two female dancers, whose understated performances brought the piece to life.
Lawrence’s Odyssey, a full-length work, was another highlight. Little-White said the production challenged the dancers while showcasing the choreographer’s creativity, with its colourful costumes adding to the visual experience. The work was also noted for its layered meaning and use of text and subtext.
Joshua McLean in Sinking Into Inertia
However, the standout production was Legacy, choreographed by Orville Hall, which Little-White described as the highlight of the season.
The piece fused reggae and dancehall music with movements drawn from the streets, transformed through Hall’s choreography. Little-White praised the infectious music, distinctive choreography and the dancers’ energy, which captivated the audience.
Describing Legacy as the production’s main course, dessert and aperitif, Little-White summed up the performance in two words: “Legacy ‘sell off’.”
Little-White ended by congratulating the Stella Maris Dance Ensemble on another successful season.
