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Always something new out of Africa
Rastafari synthesises unique African experiences with external ideas to create something original and valuable.
Letters
October 29, 2024

Always something new out of Africa

Dear Editor,

I want to respond to a letter by Lenrod Nzulu Baraka in the Jamaica Observer entitled ‘Black religious appropriation’, published on October 28.

My response is to simply state: Ex Africa semper aliquid novi, meaning, always something new out of Africa. This Latin adage serves as a fitting prelude to a discussion on the synthesis of African spirituality and the influences of the Abrahamic faiths, particularly through the lens of Rastafari.

The letter critiques the notion that Africans can achieve societal flourishing by merely adopting Abrahamic faiths. It argues that the wealth of Jewish, European, and Arab societies stems from conquest, exploitation, and violence rather than religious beliefs. The author advocates for an updated and rebranded African spirituality that incorporates beneficial aspects of these faiths without losing traditional African identities. The key is to synthesise unique African experiences with external ideas to create something original and valuable rather than simply adopting foreign religious practices.

I contend that Rastafari embodies the synthesis that the letter proposes, acting as a living memory of African people in modernity. It is a movement that not only honours African heritage but also integrates various spiritual and cultural elements, creating a unique identity that resonates with contemporary issues. Rastafari can be seen as a form of Afrofuturism, which is a cultural aesthetic that combines elements of science fiction, history, and African culture to imagine futures that are rooted in African experiences and identities. Afrofuturism seeks to reclaim narratives and envision new possibilities for black people, often through the lens of technology, spirituality, and social justice.

Rastafari as Afrofuturism involves:

1) Cultural reclamation: Rastafari reclaims African history and spirituality, emphasising the importance of African identity in a modern context. This aligns with Afrofuturism’s goal of reimagining the future through an African lens.

2) Spiritual synthesis: The movement incorporates elements from various traditions, including Christianity and African spiritual practices, creating a rich tapestry that reflects the complexities of black identity today.

3) Vision of the future: Just as Afrofuturism envisions a future in which African people thrive, Rastafari promotes a vision of empowerment and self-determination, rooted in the past yet looking forward.

Poco and Kumina, along with other black forms of Christianity, represent the diverse expressions of faith that have emerged from African traditions. These practices often blend African spiritual beliefs with Christian elements, creating a unique religious experience that honours ancestral heritage while engaging with contemporary spiritual needs. This synthesis is precisely what you advocate for — an integration of the best aspects of African spirituality with the ethical teachings found within the Abrahamic faiths.

It is crucial to recognise that the Abrahamic faiths, including Christianity, have roots that trace back to Mesopotamia and Egypt. Abraham himself is traditionally considered to have originated from this region, which was home to advanced black civilisations that contributed significantly to the development of religious thought and practice. The rituals and beliefs of these ancient cultures undoubtedly influenced the narratives that later emerged in the Abrahamic traditions.

For instance, the story of Christ mirrors elements from earlier myths and legends, including those from African and Mesopotamian cultures. The tale of Noah’s Ark, often viewed as a unique biblical narrative, bears striking similarities to the Epic of Gilgamesh, which predates it and originates from the same Mesopotamian region. This intertextuality suggests that many religious stories are not isolated but rather part of a broader tapestry of human experience and cultural exchange.

Rastafari serves as a powerful example of the synthesis you propose, embodying both a remembrance of African heritage and a forward-looking vision that aligns with Afrofuturism. By recognising the interconnectedness of African spirituality, the influences of the Abrahamic faiths, and the historical context from which these traditions emerged, we can appreciate the richness of black religious expression and its potential to contribute to a more equitable future.

 

Yannick Nesta Pessoa

yannickpessoa@yahoo.com

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