Emerging dancehall artiste Trinni is currently promoting the songs Bad Gal Trinni, Big Bad Machine, and Cash.

She told the Jamaica Observer that her songs are about empowerment for females.

“As a dancehall artiste I am committed to championing female empowerment through lyrical narratives that promote self-actualisation, I’m working on collaborative endeavours with talented female artistes, and I deliver performances that catalyae a cultural shift towards gender equity and social justice,” she stated.

On the tail end of the just-concluded ISSA/GraceKennedy Boys’ and Girls’ Championships she hailed the platform for nurturing talent within high schools.

“As someone who champions female empowerment, I really have to pay tribute to ISSA for putting on this event each year that showcases the talent within the high schools. People travel from near and far just to cheer for their favourite schools. When you see fanfare and excitement, even if the school that you are cheering for isn’t doing so well, it’s good to salute those who are excelling… Who knows, any of them could become future Olympians,” the artise added.

Trinni, who attended Knox College, was cheering for the female team representing Holmwood Technical High school.

“I was rooting for Holmwood, they did very well by placing third. Big up to Anastasia, Mayla and Maddison. You could see that they all practised and they came and delivered,” she said, adding that she also enjoyed the influencer race.

“I admire the fact that the Jamaican culture has changed with the times. The influencers were really fun to watch,” she said.

Asked what she brings to the table, she told the Observer: “My authenticity and raw energy! I’m unapologetically me, blending traditional dancehall with personal storytelling and a dash of Jamaican and international flavour. No pretenses, just real talk and real vibes. My goals also are different. I am not pursuing music for fame and fortune, I intend to create a legendary movement.”

Born Samantha Carter and raised in Lowe River, southern Trelawny, she credits her upbringing for shaping both her artistry and confidence. Raised in a Christian home, Trinni was exposed early to gospel, reggae and dancehall, influences that helped guide her musical journey.

“I’ve always been captivated by how melodies can evoke emotions and tell stories,” Trinni shared.

— Kevin Jackson