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AC Hotel Kingston Cocooned in Local Art
Art & Culture, Entertainment, Lifestyle, Local Lifestyle, Style, Style Observer, Tuesday Style
June 29, 2019

AC Hotel Kingston Cocooned in Local Art

It’s not the type of art you’d expect to see at a Marriott. It is, however, exactly what the owners of AC Hotel Kingston wanted. In fact, the conglomerate’s deputy chair Adam Stewart tells SO that not being able to bring a strong sense of Jamaica into the guest experience would have been a deal-breaker!

“My family and I are determined to play our part in building the economy of the Caribbean. This is a monumental occasion as we venture beyond the beach to establish our first AC Hotel by Marriott, said Stewart, who is also deputy chairman of Sandals Resorts International and the ATL Group of Companies. “We are excited to work with a global company like Marriott International, while retaining the local Jamaican touch for guests visiting the city.” He is to be applauded. For, swanky hotel aside, it is the art that has dominated conversation by the global cognoscenti both within and outside the walls of Kingston’s latest hot spot.

The collection includes several of Jamaica’s top emerging and established contemporary artists and was carefully chosen to complement the sophisticated yet unpretentious style of its renowned hotelier Antonio Catalan [hence the letters AC]. The brand was founded in 1998 in Spain, and brought into the Marriott International portfolio of brands in 2011, which launched AC Hotels by Marriott globally in France, Denmark, the United States, Latin America, Puerto Rico, and now Jamaica.

SO extends an invite to walk the 15,000-sq ft gallery space.

Tines, cedar by Laura Facey, is a largefree-standing sculpture located inthe main lobby. It forms part of the“Radiant Combs” series and speaksto the use of combs and comb teeth(tines) to untangle our histories. Thedeep carved scars and red hueson the surface reference personal,lived stories, whilst the stability andsmoothness of the base and thesoaring height proclaim resilience,victory and transcendence.
Sea Discs, by David Pinto, can be viewedfrom the main reception wall.The ceramic discs sculpted with coral andsea crustacean texturing bring the ocean intothe space.
Sea Discs by David Pinto
Spirit Dancer, an ethereal sculptural work by Laura Faceyin which the artist uses natural materials to embody ideasaround transformation. Her porcelain figure is swathedin feathers and cotton, emerging from the earth andtranscending her human state. It is a joyful celebratory work.
Soundwall, by Andre Woolery, is a 14′ x 7” foot pushpin work that brings a contemporary artistic practice toan everyday Jamaican cultural engagement — the sound system. (Photos: Michael Gordon)
Black Petals, by Laura Facey, is sculptedfrom cedar and is, according to Facey, ofa deep feminine aesthetic, with curlingand textured petals.It is art that can be touched.Black Petals also serves to ground theviewer with the substance and feel of ahuge cedar tree. (Photo: Michael Gordon)
Shotta, by Cosmo Whyte,is a mixed media workusing the vintage still ofJimmy Cliff from the iconicfilm The Harder TheyCome, montaged with tiesand feathers, suggestingcontemporary notions aboutthe conflicting tensionsof Caribbean masculinity.It brings forth the culturalstereotype of the ‘rude boy’of the ’70s with symbols ofmiddle-class ‘respectability’and conformity to thecolonial norm.(Photos: Michael Gordon)
Invasion, by Katrina Combs, is a large textilepiece that hangs by the main elevator wall.This sculpture comprises several blooms,grouped as a single flower. It is made ofcoloured cotton threads shaped in resin.
SugarDaddy, byLeasho Johnson, isa mixed media artwork,using a Jamaican malestereotype construct,emerging from sugar cane,and embellished with thecontemporary materialtrappings ofmanhood.
Market Fruits, by Shoshanna Weinberger,is a triptych of Coronation/Papine/Linstead,which brings to life the market as a placefor female empowerment. The long hairbraids, simultaneously contained and freeto move, suggest a tension to an economicplace — the market. The gold chains aresimultaneously liberating and containing,illustrating the tension of this freedom.(Photos: Michael Gordon)

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