The Courtleigh Auditorium recently played venue host to a vibrant celebration of movement, artistry, and expression as dancers of CDT and The CDT School took to the stage for an unforgettable evening of performances.

The Junior Ensemble in Renée I McDonald’s Many Rivers to Cross. Joseph Wellington

From the moment the curtains opened, patrons were treated to a carefully curated programme that highlighted the versatility and dedication of the performers.

The School’s Level 3 in Andrew Bailey’s jazzy number Dancin’ Fool. Joseph Wellington

Featuring an impressive repertoire of ballet, contemporary, and jazz works, the production showcased not only technical excellence but also the transformative power of dance to inspire, unite and captivate audiences.

The School’s Level 1 in Kelly Barrett’s energetic Zoo. Joseph Wellington

The show brought together an extraordinary range of talent; from enthusiastic young children taking their first confident steps onto the stage to accomplished adult performers whose years of experience shone through every movement.

Among the creative forces behind the production was renowned choreographer Renee I McDonald, whose artistic vision and commitment to excellence were evident throughout the evening. Her influence could be seen in the seamless blend of technique and expression in the dance piece
Misunderstood, performed by Zinzi Akili Duhaney of The CDT School.

The women of The Company in Renée I McDonald’s The ‘M’ Word (2013) dedicated to women affected by and battling breast cancer. Joseph Wellington

In Charissa Clemetson’s
A Million Dreams young ballet dancers displayed poise, discipline and confidence belying their age. Dressed in elegant costumes and moving with remarkable precision, they brought a sense of innocence and charm to the stage while demonstrating the countless hours of training required to master the art form.

The School’s crowd-pleasing Adult Ensemble in Renée I McDonald’s One Night Only. Joseph Wellington

What made the production particularly remarkable was its celebration of growth and inclusivity within the dance community. Young dancers shared the stage with the CDT Company, illustrating the continuity of artistic tradition and the importance of mentorship in the development of emerging talent. The result was a programme that felt both inspiring and deeply meaningful, demonstrating that dance remains a powerful medium through which stories can be told and communities strengthened.

The School’s Level 2 in Takiya Browne’s Lush Life. Joseph Wellington

As the final performance,
Panaroma, choreographed by Tony Wilson and reimagined by Dr Sade Bully-Bell, concluded, the audience rose in a standing ovation. There was a palpable sense that those in attendance had witnessed something truly special.

Gala Chair Shani McGraham-Shirley addresses attendees. Joseph Wellington

— Jamoy Blackwood