The fourth annual Screenwriters’ Workshop hosted by Strike Star Entertainment is set to take place over two days from September 15-16 at Edna Manley College of the Visual and Performing Arts.

The workshop, which is designed to introduce young and aspiring professionals to the film industry, will feature a keynote address by respected American film director Benny Boom.

Other presenters and panellists include Vanessa Ballesteros (television producer and showrunner); actor John Chambers; producer, writer and executive Marvin Peart; Soyini Chang, entrepreneur, strategist, and creative executive; Morris Sinclair, cultural entrepreneur and project strategist; screenwriter Tyrone Rashard; John Buffalo Mailer, producer, screenwriter, journalist and playwright; Bryce Wilson, formerly of the music duo Groove Theory and a creative director, actor and producer; actor Djimon Hounsou; editor Olivia Rutigliano; and Cess Silvera, director, producer and screenwriter.

In an interview with the Jamaica Observer, Ricky Lee, CEO and founder of Strike Star Entertainment, explained why he decided to host the screenwriter workshop in Jamaica.

Benny Boom.

“I’ve always believed Jamaica has one of the richest storytelling cultures in the world. The creative energy here is raw, honest, and deeply rooted in lived experience. When Paul Eckstein [American actor, television writer and producer] passed, I felt an even stronger pull to continue the work he inspired — creating spaces where emerging writers can grow, be seen, and be supported. Edna Manley College represents that same spirit of artistic discipline and cultural pride. Hosting the workshop here allows us to honour Paul’s legacy while investing directly in Jamaica’s next generation of storytellers,” said Lee.

The very first workshop was held at The Mico University College, which Lee shared was a deeply meaningful beginning.

“Our partner Steven Golding teaches at Mico, and he helped connect us to the institution. Mico is one of Jamaica’s first teachers’ colleges, so starting there felt aligned with Paul’s belief in education, access, and community. That foundation continues to guide everything we do,” explained Lee.

He told the Observer that the objective behind the workshop is to expand creative minds and opportunities.

Ricky Lee.

“Over two days, participants learn the fundamentals of screenwriting, story structure, character development, and the business of film. We focus on mentorship, industry exposure, and building confidence; the same values Paul championed throughout his career. We’re targeting emerging and aspiring screenwriters — young creatives, students, and anyone who feels called to write for film or television. You don’t need industry experience; you just need imagination, commitment, and a desire to grow,” said Lee.

Interested participants can visit Strike Star Entertainment online and register.

“Jamaica has extraordinary talent,” opined Lee, “what’s often missing is access, mentorship, and industry level exposure… By bringing global professionals directly to Jamaican creatives we’re strengthening the foundation of the country’s emerging film ecosystem. And in many ways, we’re continuing the work Paul believed in: Empowering storytellers and expanding opportunity,” he said.

Benny Boom, who directed the music video for Sean Paul’s Like Glue as well as videos for several acts, including Busta Rhymes, Nas, Nelly, LL Cool J, Nicki Minaj, Akon, 50 Cent, and GloRilla, is best known for directing the 2017 Tupak Shakur biopic All Eyez on Me.

He told the Observer what participants attending the workshop can expect.

“I’m bringing my experience, my perspective, and my commitment to helping writers understand how powerful their voice is. Paul Eckstein was someone I deeply respected; not just for his creativity, but for the way he championed storytellers. His belief in developing writers and expanding access is something I carry with me. So, when I step into this workshop, I’m bringing that same spirit — honesty, mentorship, and a real desire to help emerging writers elevate their craft,” said Benny Boom. “You can expect clarity and real, practical guidance. I want writers to understand how directors read scripts, how we translate words into images, and what makes a story visually compelling. I want participants to walk away with tools they can use immediately.”

According to Benny Boom, he couldn’t turn down the offer to be a part of the workshop.

“I said yes right away. Ricky shared the vision, and he shared Paul’s influence on this workshop. Paul was someone whose work and creative energy I admired, so being part of something inspired by him felt meaningful. Coming back for a second year was an easy decision, this workshop is doing real work for Jamaican creatives, and I’m proud to support it,” said the respected director.